“Wonder Woman 1984” roped in $5.5 million over the New Year’s holiday. The sequel also ensnared another $10.1 million from overseas markets, bringing its global total to $118.5 million.
That’s not a disastrous figure given how much coronavirus has slowed down the movie business, but it does represent a steep 67% drop domestically and is a far cry from the grosses of pre-pandemic blockbusters. Stateside, “Wonder Woman 1984” has earned $28.5 million.
The superhero sequel, which is currently getting some social media backlash for not rising to the level of its beloved predecessor, is being simultaneously released on HBO Max in a bid to bolster the WarnerMedia streaming service and as a concession to a global health crisis. The company has issued some vague numbers touting “Wonder Woman 1984’s” popularity on HBO Max, but little in the way of hard data. It did announce that Gal Gadot and director Patty Jenkins will reunite for a third film in the franchise, a sign that it believes the Amazonian warrior is a vital part of its plans for growing its DC cinematic universe.
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Beyond “Wonder Woman 1984,” Universal and Dreamworks Animation’s “The Croods: A New Age” pulled in $2.2 million in its sixth week of release. That pushes the animated sequel’s domestic haul to $34.5 million and its global total to just under $115 million.
Lionsgate’s “Fatale,” a psychological thriller with Hilary Swank and Michael Ealy, grossed $700,000 in its third weekend of release. That brings its total to $3.1 million.
Disney and Pixar’s “Soul” has been streaming on Disney Plus over the holidays, but it has been made available in theaters in overseas markets such as China, Saudi Arabia and Thailand. The animated story of a middle school music teacher whose soul gets separated from his body grossed $16.5 million in its second weekend of release. That pushes its total to $32.5 million.