Faisal Quraishi criticizing Pakistani drama’s content

• Faisal Quraishi has produced and directed a great number of  dramas.
• He criticizes Pakistani shows for their acting, context, and subject.
• He made fun of Pakistani dramas again while participating in “The Talk Talk Show” on YouTube.

Faisal Quraishi is the most recognizable names in Pakistan’s film and drama industries. Along the way, he has produced and directed a great number of well-known dramas. Fitoor, Farq, Bashar Momin, etc., are a few well-known names. The 49-year-old television personality frequently criticizes Pakistani shows for their acting, context, and subject. He recently made fun of Pakistani dramas again while participating in the talk show on YouTube with Hassan Choudary.

Faisal Quraishi began by discussing his most recent miniseries, Ek Thi Laila. Then he discussed how marriage is the only subject covered in Pakistani dramas. People crave “masala,” he claimed, and they receive it from the love tales shown in Pakistani dramas. Additionally, he added that although the subject of “shaadi” and two loves being unable to combine has become popular and dull, the audience still finds enjoyment in seeing such stuff.

He also brings up one of his own dramas, “Nazar,” and how it failed to become popular simply because it was about a boy and his father rather than a romantic relationship. He claimed that the primary “masla” is that people dislike viewing television programmes on actual problems, such as those involving their families, businesses, or children. Quraishi also honourably referred to the ongoing TV drama Pinjra, which focuses on the issues facing developing adolescents. He argued that people only want to watch programmes that tell stories about “Larka, larki, romance, and shaadi nahi ho rahi.” Creators only produce those dramas as a result.

He also related to Hassan how amusing it was when he would question his employees for their preferences and they would respond “shaadi.” He makes it clear that “shaadi puray mulk ka masla hai” and subjects like success and education are irrelevant for dramas and would not garner large audiences. Hassan and Faysal also talked about the paucity of comedies and sitcoms. They discussed how there used to be many comedic dramas, but today there are only one or possibly two, with Bulbulay being the most well-liked.

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