‘The Voice of Hind Rajab’ earns golden globe nomination

The film portrays the heartbreaking final moments of five-year-old Palestinian girl Hind Rajab.

‘The Voice of Hind
‘The Voice of Hind

The Gaza tragedy-based film ‘The Voice of Hind Rajab’ has been nominated for the best film category at the golden globe awards, marking a significant global recognition for a story rooted in human suffering and war-affected childhood.

The film portrays the heartbreaking final moments of five-year-old Palestinian girl Hind Rajab, whose story drew international attention.

On January 29, 2024, Hind was travelling with her family in Gaza when their vehicle was attacked by Israeli forces during an attempt to relocate from the conflict zone. Stranded amid violence, Hind made a desperate phone call to Red Crescent volunteers for help, but rescue could not reach in time, and the child was martyred.

The film has already gained critical acclaim this year, winning the Silver Lion Jury Prize at the Venice Film Festival, where it received a 23-minute standing ovation.

The nomination has sparked global conversations around the ongoing humanitarian crisis in Gaza and the power of cinema in highlighting real stories of war-affected children.

Earlier, In a powerful testament to resilience and hope, Palestinian circus performers defied war and famine to spread joy amidst bombed-out buildings, as showcased in the documentary One More Show at the Cairo International Film Festival.

Despite the devastation surrounding them, clowns, jugglers, and stilt walkers continued performing, bringing brief moments of laughter and wonder to children and families in Gaza.

Filmed during the summer of 2024 amid the ongoing conflict in Gaza, One More Show is co-directed by Egyptian filmmaker Mai Saad and Palestinian director Ahmed el-Danaf.

The film intimately captures the daily lives of the Free Gaza Circus, highlighting the courage and dedication of performers who risked their safety to keep the spirit of performance alive.

Ahmed el-Danaf, 26, filmed the troupe in Gaza, navigating destroyed neighborhoods, communication blackouts, and constant danger. “It was the first time I witnessed someone wanting to make a film about daily life, not just bombings and suffering,” he said.