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British Museum Returns Stolen Crown Jewels to Ghana

British Museum Returns Stolen Crown Jewels to Ghana

British Museum Returns Stolen Crown Jewels to Ghana

British Museum Returns Stolen Crown Jewels to Ghana

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  • Stolen Asante artifacts returned by British Museum, V&A to Ghana.
  • Collab bypasses UK repatriation rules, acknowledges colonial acquisitions.
  • Loan covers some, sparks broader repatriation talks.
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British Museum, in collaboration with the Victoria and Albert Museum (V&A) in London, is returning stolen gold and silver artifacts to Ghana, 150 years after they were looted from the Asante people during Britain’s colonial conflicts in West Africa.

The groundbreaking cultural partnership, announced on Thursday, involves the Manhyia Palace Museum in Ghana, the British Museum, and the V&A. The agreement sidesteps UK regulations that traditionally prohibit the repatriation of cultural assets to their countries of origin, a barrier that has hindered the return of other artifacts, such as the Parthenon Marbles, to Greece.

The loan agreement encompasses approximately 17 artifacts, including 13 pieces of Asante royal regalia acquired by the V&A at an auction in 1874. These artifacts, looted by British forces during the Anglo-Asante wars of 1873–74 and 1895–96, have been held by the museums for over a century.

In a joint statement, the institutions acknowledged the cultural, historical, and spiritual significance of the objects to the Asante people. The artifacts are also closely tied to the history of British colonization in West Africa, having been seized during the 19th-century conflicts in Kumasi.

However, it’s worth noting that the loan agreement covers only a fraction of the Asante artifacts in British museums and private collections globally. The British Museum alone reportedly houses 239 pieces of Asante regalia.

Nana Oforiatta Ayim, special assistant to Ghana’s minister of culture, welcomed the agreement as a “beginning point” but emphasized that, ultimately, the regalia should be permanently returned to its original owners. Drawing a poignant analogy, she asked how one would feel if their stolen possessions were only lent back to them years later.

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The move reflects a growing global conversation on the repatriation of cultural artifacts acquired through colonialism, acknowledging the need for restitution and addressing historical injustices. The collaborative effort between the British and Ghanaian museums signals a step towards reconciliation and a recognition of the importance of returning cultural heritage to its rightful owners.

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